Publishers Weekly husselt elk jaar de genres door elkaar en dan komt er toch een top 10 uit, die hebben we onder de lijst beste fictiewerken gezet.

Beste fictie
* The Abstainer – Ian McGuire
* Beheld – TaraShea Nesbit
* Bluebeard’s First Wife – Ha Seong-nan
* The Butterfly Lampshade – Aimee Bender
* The Cold Millions – Jess Walter
* Crooked Hallelujah – Kelli Jo Ford
* The Dominant Animal – Kathryn Scanlan
* Fiebre Tropical – Juliana Delgado Lopera
* Hamnet – Maggie O’Farrell
* Homeland Elegies – Ayad Akhtar
* Igifu – Scholastique Mukasonga
* An Inventory of Losses – Judith Schalansky
* It Is Wood, It Is Stone – Gabriella Burnham
* The Last Great Road Bum – Hector Tobar
* Likes – Sarah Shun-Lien Bynum
* Mansour’s Eyes – Ryan Girod
* The Mirror and the Light – Hilary Mantel
* Monogamy – Sue Miller
* Out of Mesopotamia – Salar Abdoh
* Pew – Catherine Lacey
* The Regrets – Amy Bonnaffons
* A Saint from Texas – Edmund White
* Sisters – Daisy Johnson
* Temporary – Hilary Leichter
* Tokyo Ueno Station – Yu Miri
* The Vanishing Half – Brit Bennett

Top 10
* The Address Book: What Street Addresses Reveal About Identity, Wealth, Race and Power – Deirdre Mask
* Bluebeard’s First Wife – Ha Seong-nan
* Caste: The Origins of Our Discontents – Isabel Wilkerson
* The Dragons, the Giant, the Women: A Memoir – Wayétu Moore
* Homeland Elegies – Ayad Akhtar
* The Last Great Road Bum – Hector Tobar
* The Price of Peace: Money, Democracy, and the Life of John Maynard Keynes – Zachary D. Carter
* A Saint from Texas – Edmund White
* Sisters – Daisy Johnson
* Unworthy Republic: The Dispossession of Native Americans and the Road to Indian Territory – Claudio Saunt

Zie hier alle lijstjes en toelichtingen

0